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Moissac
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There's nothing very memorable about the modern town of MOISSAC, 30km northwest of Montauban, largely because of the terrible damage done by the flood of March 1930, when the Tarn, swollen by a sudden thaw in the Massif Central, burst its banks, destroying 617 houses and killing 120 people.

Luckily, the one thing that makes Moissac a household name in the history of art survived: the cloister and porch of the abbey church of St-Pierre, a masterpiece of Romanesque sculpture and the model for hundreds of churches and buildings elsewhere. Indeed, the fact that it has survived countless wars, including siege and sack by Simon de Montfort senior in 1212 during the crusade against the Cathars, is something of a miracle. During the Revolution it was used as a gunpowder factory and billet for soldiers, who damaged many of the sculptures. In the 1830s it only escaped demolition to make way for the Bordeaux–Toulouse train line by a whisker.

Legend has it that Clovis the Frank first founded a monastery here, though it seems more probable that its origins belong a hundred years or so later in the seventh century, which saw the foundation of so many monasteries throughout Aquitaine. The first Romanesque church on the site was consecrated in 1063 and enlarged in the following century. The famous south porch, with its magnificent tympanum and curious wavy door jambs and pillars, dates from this second phase of building. It depicts Christ in Majesty, right hand raised in benediction, the Book of Life in his hand, surrounded by the evangelists and the elders of the Apocalypse as described by St John in the Book of Revelation. It's a display whose influence, assimilated with varying degrees of success, can be seen in the work of artists who decorated the porches of countless churches across the south of France. There's more fine carving in the capitals inside the porch, and the interior of the church, which was remodelled in the fifteenth century, is interesting too, especially for some of the wood and stone statuary it contains.

The adjoining cloister (same hours as tourist office; €5) is entered through the tourist office, and if you want to experience the silent contemplation for which it was originally built, get there first thing in the morning. The cloister surrounds a garden shaded by a majestic cedar, and its pantile roof is supported by 76 alternating single and double marble columns. Each column supports a single inverted wedge-shaped block of stone, on which are carved with extraordinary delicacy all manner of animals and plant motifs, as well as scenes from Bible stories and the lives of the saints. An inscription on the middle pillar on the west side explains that the cloister was made in the time of Abbot Ansquitil in the year of Our Lord 1100.


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